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Apocalyptic Love Songs

by Chris Goudreau

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1.
Sweet Ashes 03:00
You left me sweet ashes Now I’m burnt and maimed inside The taste brings me back to another life As my soul breaks apart and weeps Give me your absolution My savior in your powdered bones The bitterness is what I mistook for sugar Pleasure in my pain is how I take my shame Is what I am today Every time I close my eyes I see you Your car burning slowly on the frozen plains As the ambulance lights flicker off the snow And they bring your body home You left me sweet ashes I’ve got no one but myself to blame We fought, I yelled, and told you to leave As tears streamed down your face
2.
The man in the mirror Told me I’m wrong Showed me every wart, scar, naked and all He shaves for the world The cuts on his face Bleed into the sink And flow down to the drain Late in the night He stares back at me Wondering if I’m hiding poison in me I look through you and into me A king crowned in shaving cream Made in our image Of white and pale and black and red The man in the mirror Told me I’m wrong Showed me every wart, scar, naked and all He shaves for the world The blood on his face Dries in the sun And washes off with the rain Late in the night I stare back at him Wondering if he’s hiding poison in him I look through you and into me A king crowned in shaving cream Made in our image Of white and pale and black and red
3.
Leslie talks to her newspaper piles April 8, 2009 says, “No worries.” And Leslie screams, “What the hell are you talking about!?” “These stories here could take your eyes out!” And Leslie cries So she grabs a light And reads about an 11-year-old boy Who shot himself today While her lungs fill with smoke and her cancer grows Leslie pulls down the shades Looking outside, but never walking out “You’re crazy,” she says to herself, almost casually While the newspaper towers pile higher And Leslie smiles At the wrinkled and torn photograph A picture of her sweet Jacqueline Whose body rots beneath an apple tree She went missing 20 years ago Leslie still remembers her Leslie still remembers her Oh, Leslie still remembers her Leslie still remembers her And Leslie cries So she grabs a light As her cigarette falls from her hands Newspaper catches fire Now nothing but her flesh and bones remain
4.
There’s no fear in my head To borrow the stones That may pass over my eyes And when my blood shuts me up Sorrow won’t make a cancer out of me Or you And I raged through the tears Crashed my fists through the bathroom mirror Laughter shot me down As I rang up nihilistic savings What is me and I and this is all a little bit surreal? Why can’t I shake this stupid feeling That I’ll end up an old picture by your bed? There’s no fear in my head To borrow the stones That may pass over my eyes And when my lungs bow me out Flowers won’t do a damn for me Or you Give me light, give me darkness I surrender It’s my thinning season Don’t remember me as I am now Or as some perfection This is all I leave - dirt spinning slowly round a dying star But it’s worth more than you can imagine It’s life and I want more There’s no fear in my head To borrow the stones that may pass over my eyes
5.
Hollow Words 03:18
At 2 a.m. I picked up the phone A voice with fear quivered in a bow That shot through me and tore through stone Emergency room fluorescent lights That bleed into my thoughts tonight My mother lying pale, but not forgotten Hollow words will feed my grief for you Hollow, hollow words will feed my grief for you Condolences from strangers and friends Clichés and words that play pretend Your numb, but keep on pretending A voice mail whispered in your ear You called and said a storm was near And worried, you said you loved me Hollow words will feed my grief for you Hollow, hollow words will feed my grief for you Hollow words will feed my grief for you Hollow words will feed my grief for you
6.
Of wrinkled and degenerate skin That sags and sticks to clocks The old man took his fill He took his wings and left them in his wallet Grandkids made of scrap meals and cussed out walls Bought him a wheelchair, bent and used With rolled up paralysis With arthritis stained hands He made a prophecy out of coupons Declaring “Peace for our time!” To the millions of hallowed customers Who told him that buy one, get one free is to surrender And then he stuffed them in dressers Next to shoes and socks Now comes the cigarette, puffed and cradled The fill of its tobacco crust He likes to smoke it on the porch With his little bit of hair making a home From the musty scent of dried nicotine Licks at the brown Doubles up the batch And wears his consistency And through the smoke he sees Old Frank in a bag of skin and bones Old Frank who claimed that he was 903 Who swore that he was Houdini’s apprentice Who cursed at the laws of entropy by saying “What the hell” And who ate up cancer in the silence of a bedspread Between the dim, he stares At the walls around him And listens for the change as it happens From the night’s gallery Dull patients make their mark And his ears tune to rushed breaths and thudding What he heard came suddenly Like a flicker of a light
7.
Tonight, our hearts beat eternal Though the breeze will choke us out Despite all our complications and wrongs Hold me near, hold me near Hold me near Oh, hold me near Tonight might be your last after all When the poison settles in our spines Will romance matter in the end? There’s no cure, but I am willing I won’t resent our love Happy days aren’t a given That’s a deal that’s well worth making When you’re in love Your heart is known from blood to bone Tonight might be your last after all
8.
I’m here in the valley Gonna break free and run But there’s nothing left to run from And it’s all true that I feel So indifferent to me Houses burnt out and bleached Life’s a dog left to bleed And the sun’s beating down on suburbian tombs While the dust starts to bloom And the mountains stand solemn in their ancient stones And the forests will grow with rusted cars and jaw bones Shopping carts in the dirt And I’m thinking of nothing but the comedy in this That’s the tragedy of this In apocalyptic love songs That shelter the fact that it’s the end of us all And into darkness we go Into nothingness we go And the time we have is irredeemable But my pride wouldn’t tell on you It’s the unforeseen consequence Of your car, of your job and your life Isn’t in demand That’s the crux of it That keeps you up at night And when you sleep your memories crawl back to normalcy And you’re screaming in your dreams You’re screaming in your dreams And you’re screaming in your dreams You’re screaming in your dreams Can you hear the rain fall on the valley below? Can you hear the rain fall on the valley below? Through the charred remains of rot and bones That’s just what the future holds It’s not life on Earth that ends with us
9.
I don’t trust myself anymore When it’s just the long con of romance I could kid myself into believing But I’ve never had that much faith to begin with Is this my cosmic joke? Better than I hoped I’m being sarcastic now That you ought to know Feels like I’m a walking punchline To the person I thought I’d be someday Sometimes regret is the only answer When hypocrisy gets the best of you Is this my cosmic joke? Better than I hoped I’m being sarcastic now That you ought to know Daydreams never last a minute I’m for the infatuation game Telltale signs that your resentful Like opening old wounds just for the fun of it I’m getting used to being right Most of the time Just smile and pretend with a little spite
10.
Dust Smiles 02:03
You bite your lip, then bare your fangs It’s all dust smiles here Playing coy with yourself Don’t forget to misgive Your wound is healed The leech comes off But your face is still so pale Maybe you shouldn’t use a leech For modern medicine? Your jaw is shut But the words spill out “Blood is no blood for me” Your smile turns to rot As it eats you bit by bit Bit by bit, bit by bit
11.
Mother's Day 03:45
$4.95 for a sentimental Mother’s Day card You bought at the store $14.95 for flowers rotting for a smile You’ll never see anymore The lilacs bloom through concrete and stone $9,975.95 for ashes in your hands 55 years and 9 months Sometimes life really isn’t fucking fair And on the radio you hear about the Mother’s Day sales
12.
Knowing is half the blame A cancer with hands to shake The marrow you sucked From bones to gain For you Oxygen longs to breathe The ocean could swallow me What a disgrace Our disgrace Knowing is half the blame Pleasantries wrought mistakes All that you want is vain and dumb For you who cradles the coin Buys shit to enjoy And builds walls to destroy Now I’m touched with some pageantry Knowing is half the fight For the weary and bold To spite Knowing is half the blame A con game turned to fame A lion that skinned the world in two For you A planet to pave and plot Your love the almighty buck What a disgrace My disgrace Knowing is half the blame A cognitive mirror to break Your conscience longs to fuck your brain But you can take my hand Knowing is all that’s left Knowing is all that’s left for us At least inside we shelter lies At least inside we shelter lies At least we know we’re the only ones to blame And that’s the story of the human race
13.
Saint Agnes 03:38
Eternity wrapped in silhouettes The airplane passes overhead Dark red ribbons curled in her hair Her father ties her shoes She says, “Daddy, what’s the point of this?” I don’t really know Life just is and so it goes As we circle ‘round the sun And in 200 years no more memories remain Of you, your life, and everything you make Now she’s married with four children A waitress mixing valium with wine Her husband kicks in the TV As her daughter’s tears subside She whispers, “Mommy, what’s the point of this?” I don’t really know Life just is and so it goes As we circle ‘round the sun And in 200 years no more memories remain Of you, your life, and everything you make The IV drips through her veins She’s 84 and ravaged by dementia Now her daughter holds her hand And as the EKG goes dead She whispers, “Daddy, what’s the point of this?” I don’t really know Life just is and so it goes As we circle ‘round the sun And in 200 years no more memories remain Of you, your life, and everything you make
14.
Raindrops make your tombstone blush And the wind takes your breath away Your corpse looks like a wax museum And I can’t remember your face Now I’m drifting into sleep And your absence feels like a chain You’re thunder in my heartbeat And the wind through my bones The phone is ringing Is it you or just a dream that I’ve sewn? Sunlight makes your coffin smirk While flowers eat up memories Your skeleton is punctual But why would that matter to me? Now the wind is crying As your voice fades away I’m buried You’re thunder in my heartbeat And the wind through my bones The phone is ringing Is it you or just a dream that I’ve sewn? You’re thunder in my heartbeat And the wind through my bones The phone is ringing Is it you or just a dream that I’ve sewn?
15.
A quarter for your thoughts indivisible They line the streets with “Can you spare a buck?” In rags and trucker hats The wind cuts cloth from flesh To breed new ghosts To howl down alleys With a throatful of hornets To beg like a fish With a hook for a donation To gather shopping carts Be they tin cans or your savior Why look at me, When you’re paying to not look? A penny for a nickel for the moral of the story that you’re told A quarter for your liberty huddle Around drums of fire near the highway underpass With cardboard angel wings And hymns from dim street lamps That herald new ghosts Who dream of a beast Whether hunter or hunted Who vanish in a mist To drown inside a bottle Who sing like a saw below high-rise apartments Who half-heartedly cry Are we not a sovereign nation? Why look at me, When you’re paying to not look? A penny for a nickel for the moral of the story that you’re told Holy, holy albatross Spread your wings unto the sun If your feathers turn to fire and dust There is silence Oh, there is silence Holy, holy albatross You are not the curse, the crux The face you wear is the face of us In our kingdoms of storms and shipwrecks The beast you starve is a ghost defined With shadows curled around your eyes And when you look will they disappear? Or will their eyes be your mirror?
16.
You crawl back inside yourself Bruises blooming from your scars Makes you want to clench your fists with all your rage The hallway where you run again Open the door, the blood is thick Till your father’s face burns, burns Time again The pain will break you Weaken and defy you Tear through your moments Of every minute of every day The knife pulls you in Cuts you deep To wound your mercy The gun in your hand Takes its pride With a shot of penance The ocean in her lungs Calls you back To admit forgiveness The pain will shape you Collapse and rebuild you Give thanks for your moments Of every minute of every day
17.
With broken arms around my heart I couldn’t bear to find My aching little misanthropic lies Oh, steal my pride And drown my time In the nonsense of a fruitful little life Just leave me raw To the years left ahead And the sound of a beating heart That broke through the mess And the time we walk Is a time held true What are tears? What are tears if not for living? And the night brought binding wrath to bear Right down upon my doorstep And if I swear I won’t be fooled May I be brought to ruin With saccharin blood spilled in the streets No one knows what’s to come For tomorrow we weep And it’s time, sweet time In the dark of the night When the heart will stop it’s endless beating And the night brought binding wrath to bear Right down upon my doorstep And if I swear I won’t be fooled May I be brought to ruin With wrinkled hands and furrowed brow No one knows when regret is the knife in the crowd And it’s time, sweet time In the dark of the night When the heart will stop it’s endless beating And it’s time Give me time When your old world dies What you thought was fate Is oh so fleeting Give me time Give me time All my days of wasted time With your marrow plucked Your veins closed and shut Don’t be sorry when Your story comes to an end

about

"Apocalyptic Love Songs" is an album about grief - tides of emotion swelling and subsiding across 17 songs. Some songs are deeply personal, while others tell stories about people who are trying to pick up the pieces of their own personal mini apocalypses. Lives shatter, but the pieces remain to be glued back together again. It's not all doom and gloom though, humor and heart remain. But if you're going to cry, you might as well enjoy the experience.

credits

released June 9, 2023

All Songs & Lyrics by Chris Goudreau;
String Arrangements by Chris Goudreau/ Care O’Leary/ Anni Casella
Brass Arrangements by William Theis/ Chris Goudreau
Woodwind Arrangements by Chris Goudreau/ Anna Goudreau/ Anni Casella

Produced by Anni Casella
Recorded, Mixed, & Mastered by Anni Casella
Lead and backing vocals on “Kazenski 3:17” recorded by Warren Amerman

Recorded at:
Ghost Hit Recording
SpiritHouse Recording Studios
Shape Recording
Side Track Studio
Pink Edward’s

Front cover, back cover, and CD artwork by Patricia Hill
Graphic design, layout, and liner note artwork by Iva Kurki

Musicians:

Chris Goudreau: voice, 12-string acoustic guitar, 6 & 12- string electric guitars, piano, charango, singing bowl, kalimba, whistling, screams

Anni Casella: electric bass, electric guitar, organ, synthesizer, harmonium, tambourine, singing bowl

Care O’Leary: violin, viola, cello

Matthew O’Leary: backing vocals on “Saint Agnes”

Thomas Gaughan: backing vocals on “Saint Agnes”

Zach Scoble: upright bass on “A Picture of Leslie Zingel,” “Your Last After All,” “Saint Agnes,” “The Wind Phone,” and “A Quarter for the New Ghosts”

Anna Goudreau: bassoon on “Sweet Ashes” “A Picture of Leslie Zingel.” bassoon and contrabassoon “Mosaics from Room 32-B,” flute on “The Wind Phone”

Jarryd Conz: piano on “Hollow Words” alto saxophone on “Sweet Ashes” and “Apocalyptic Love Song” and screams on “Apocalyptic Love Song”

Alton Skinner: tenor saxophone on “Sweet Ashes” and “Mother’s Day”

Seth Crowell: drums, screams

Hanna Holman - celtic harp on “Your Last After All”

William Theis: trombone, flugelhorn, sousaphone, trumpet, french horn, screams

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Chris Goudreau Greenfield, Massachusetts

Operatic rock vocals alongside a 12-string guitar.

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